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The First State - Set of Parts
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In the Evening by the Moonlight
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.42 €
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Brass ensemble
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James Bland
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
Wonderful Words Of Life
Brass Quartet: 4 trombones
Trombone Quartet - Grade 3 - Digital Download SKU: DX.139404 Composed by Phillip P.…
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Trombone Quartet - Grade 3 - Digital Download SKU: DX.139404 Composed by Phillip P. Bliss. Traditional. Sacred instrumental music. Score and parts. 12 pages. David E. Smith - Digital Sheet Music #139404. Published by David E. Smith - Digital Sheet Music (DX.139404). An unaccompanied trombone quartet which begins which all four parts working together leading up to the first statement of the tune presented as a duet following by all four parts harmonizing together. The parts present themselves in a playful exchange of entrances. A breakup strain uses thematic motifs leading up to a modulation A new verse tosses the tune around amongst the parts, followed by the tune stated in four-part harmonies leading up to a final tag!Key of F, Bb, Eb, Ab.
$7.00
6.53 €
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Brass Quartet: 4 trombones
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Phillip P
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Wonderful Words Of Life
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
I Thirst for You, O God--Parts
Small Ensemble English Horn,Flute,Percussion,Piano - Digital Download SKU: A0.809469
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Small Ensemble English Horn,Flute,Percussion,Piano - Digital Download SKU: A0.809469 Composed by Charlotte Herrick. Arranged by Marilyn Thompson. Christian,Musical/Show,Sacred. Score and parts. 24 pages. Marilyn Thompson #5990041. Published by Marilyn Thompson (A0.809469). Moving choral work adapted from the dramatic musical Tapestry by Marilyn Thompson. The premiere performance was August of 2017 at the First State Bank Center for the Performing Arts in Gainesville, Texas. The words and tune were written by Charlotte Herrick who granted permission for its use to be arranged and orchestrated by Marilyn Thompson. It is suitable for both worship and sacred concert. Full Score for small orchestra are also available on other posts. .(The original vocal trio for STB is also available. Please contact mariilyn@ www.mtmusicministries.com for further information.)
$19.99
18.66 €
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Charlotte Herrick
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I Thirst for You, O God--Parts
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Marilyn Thompson
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SheetMusicPlus
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.42 €
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Brass quartet : 2 trumpets, trombone, tuba
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English Folk Song by way of American Appalachians
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
THERE IS HOPE THROUGH MUSIC for Piano & Cello
2 Cellos (duet)
Cello Duet Cello - Level 4 - Digital Download SKU: A0.1074344 Composed by ROBERT VA…
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Cello Duet Cello - Level 4 - Digital Download SKU: A0.1074344 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Historic,Instructional,Multicultural,New Age,World. Score. 13 pages. White Piano International Publishing #678631. Published by White Piano International Publishing (A0.1074344). THERE IS HOPE THROUGH MUSICFor Piano & Celloby ROBERT VAN HORNEPiano 10 pages / Cello 3 pagesApprox. Time: 5:10 On Saturday afternoon, March 26, 2011, Robert Van Horne, pianist and composer was invited to a special meeting of Bay Area business people. Their purpose - wanting to help the victims of the recent earthquake and tsunami that devastated parts of Japan on March 11th. The meeting was organized by Mr. Alex Kurosawa, president of KPMF and held in San Jose, CA. At the end of the meeting and after much discussion about holding a series of concerts with all funds going to the disaster victims, it was suggested that Robert compose a new song for the project that would let those afflicted in Japan, know they would not be forgotten. I was so inspired by the dedication and volunteerism of all the people at the meeting, Robert says, that I went home and composed a new piece of music with the title: THERE IS HOPE THROUGH MUSIC. A video of the first recorded vocal version was sent to Alex Kurosawa on Friday, April 8, 2011. https://www.youtube.com/watch?v=hrefmPk3lKE A choral arrangement premiered on December 10, 2011 in Sunnyvale, CA at a Benefit Concert for Japan Earthquake and Tsunami Relief: http://www.youtube.com/watch?v=B_oR23kPE0Q Mr. Shigeo Tachibana recorded a very special shakuhachi version: https://www.youtube.com/watch?v=BFcQfEzKCTk In addition, another unique performance by TMAP was presented with shakuhachi, koto, soprano and piano at the Zenkei Temple on April 1, 2012 in Japan: http://www.youtube.com/watch?v=-9ILnn8-EUk The music has been arranged for Piano/Vocal, Mixed Chorus: http://www.youtube.com/watch?v=-9ILnn8-EUk This cello and piano arrangement was featured on October 15, 2011 at the First Congregational Church of Berkeley by cellist Oleg Sendetsky and pianist Mutsuko Dohi and presented by the Kurosawa Piano Music Foundation. The music is dedicated to give hope to all those affected by the March 11, 2011. It is an emotionally sounding work of music. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$11.99
11.19 €
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2 Cellos (duet)
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ROBERT VAN HORNE
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THERE IS HOPE THROUGH MUSIC for Piano & Cello
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White Piano International Publishing
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SheetMusicPlus
The Londonderry Air
Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM605 …
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Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM605 Composed by Traditional/Frank Bridge. Arranged by Robert Rainford. An arrangement of this well known melody for wind quintet. Score and parts. 31 pages. Forton Music - Digital #FM605. Published by Forton Music - Digital (F2.FM605). ISBN 9790570485048.Frank Bridge arranged this well known Irish air for string quartet, here presented in a version for wind quintet. Unusually, Bridge starts the arrangement with an extended fantasy upon the main theme, never stating it completely. A series of stabbing chords begin the music, and help to mark out the start of each section. Elements of the tune then weave in and out of the music, and are passed equally between all five players. The first four notes of the theme in rhythmic diminution are transformed into a delicate arpeggio that permeate the music, all accompanied with the lush chords of early 20th century English music. After about one hundred bars the music reaches an impassioned climax before the tune is finally stated in its full form, with each instrument in turn taking a solo phrase accompanied by the others. A final, peaceful coda using the delicate arpeggio of the first sections brings the piece to a close.
$12.95
12.09 €
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Traditional/Frank Bridge
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The Londonderry Air
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Forton Music - Digital
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SheetMusicPlus
We the People of the United States
Satb & piano - Grade 3 - Digital Download SKU: IZ.CBS176V Composed by Arthur J. Mic…
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Satb & piano - Grade 3 - Digital Download SKU: IZ.CBS176V Composed by Arthur J. Michaels. Score and Parts. 27 pages. Imagine Music - Digital #CBS176V. Published by Imagine Music - Digital (IZ.CBS176V). 9 x 12 in inches.We the People of the United States lets singers and instrumentalists sing and play their hearts out. It's an excellent choice for any program in which directors want to feature a chorus with a concert band. This inspiring piece also makes an excellent spring concert or festival closer, worthy of becoming a music festival's traditional final work with combined instrumental and choral groups.This piece features three sections:I. We the People of the United StatesThis first section is a dignified presentation of the Preamble to the Constitution.II. Amendment IThe second section is the First Amendment to the Constitution. It begins playfully and festively, reflecting the joyful intent of enacting and living by the Constitution's First Amendment freedoms. The section becomes somber and contemplative, though, suggesting the struggles, pain and sacrifices we've endured, and are still enduring, as we continue to interpret this amendment and live by its words. The section's end recalls the joyful, pleasant aspects of living by the First Amendment.III. The Gettysburg AddressThe text of the first and second sections is the cornerstone of how we live and the values we profess. This third section, the first paragraph of Abraham Lincoln's stirring speech, reminds us of our hopes for our country and way of life.Audiences will be standing and cheering at this work's moving finish. The enduring truths of the text, our reverence for these words, and our vigorous aspirations to interpret them make this stirring piece an everlasting program choice and a delight for performers and audiences.
$2.50
2.33 €
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Arthur J
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We the People of the United States
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Imagine Music - Digital
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SheetMusicPlus
We the People of the United States
Concert band & chorus - Grade 3 - Digital Download SKU: IZ.CBS176 Composed by Arthu…
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Concert band & chorus - Grade 3 - Digital Download SKU: IZ.CBS176 Composed by Arthur J. Michaels. Score and Parts. 123 pages. Imagine Music - Digital #CBS176. Published by Imagine Music - Digital (IZ.CBS176). 9 x 12 in inches.We the People of the United States lets singers and instrumentalists sing and play their hearts out. It's an excellent choice for any program in which directors want to feature a chorus with a concert band. This inspiring piece also makes an excellent spring concert or festival closer, worthy of becoming a music festival's traditional final work with combined instrumental and choral groups.This piece features three sections:I. We the People of the United StatesThis first section is a dignified presentation of the Preamble to the Constitution.II. Amendment IThe second section is the First Amendment to the Constitution. It begins playfully and festively, reflecting the joyful intent of enacting and living by the Constitution's First Amendment freedoms. The section becomes somber and contemplative, though, suggesting the struggles, pain and sacrifices we've endured, and are still enduring, as we continue to interpret this amendment and live by its words. The section's end recalls the joyful, pleasant aspects of living by the First Amendment.III. The Gettysburg AddressThe text of the first and second sections is the cornerstone of how we live and the values we profess. This third section, the first paragraph of Abraham Lincoln's stirring speech, reminds us of our hopes for our country and way of life.Audiences will be standing and cheering at this work's moving finish. The enduring truths of the text, our reverence for these words, and our vigorous aspirations to interpret them make this stirring piece an everlasting program choice and a delight for performers and audiences.This item does NOT contain the choral score.
$75.00
70 €
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Arthur J
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We the People of the United States
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Imagine Music - Digital
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SheetMusicPlus
Black Is The Colour Of My True Love's Hair
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.799200 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.799200 Composed by Traditional. Arranged by John Milne. Celtic,Folk. Score and parts. 13 pages. Odd Shoe Music #3248559. Published by Odd Shoe Music (A0.799200). The traditional Scottish folk song arranged for String Quartet.There are many popular recorded versions of this song.It features crunchy close spaced chords supporting the plaintive nature of the beautiful melody.The first statement of the tune by the cello and moves on to the other players.There's plenty of melodic interplay to keep the players interested.Duration - 3m.
$12.99
12.12 €
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String Quartet: 2 violins, viola, cello
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Traditional
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Black Is The Colour Of My True Love's Hair
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Odd Shoe Music
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SheetMusicPlus
He’s My Lord and King (Instrumental Parts)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.978318 Composed by Jim Ailor. C…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978318 Composed by Jim Ailor. Christian,Sacred. Score and parts. 88 pages. ResurrectionSong #6324741. Published by ResurrectionSong (A0.978318). INSTRUMENTAL PARTS Like bookends this anthem begins and ends with the text: He’s my Lord, and He’s my King. He’s my God. He’s why I sing. The first statement is soft and meditative, but the final statement is a dramatic and memorable declaration of His lordship. Text by J.P. Scholfield & Jim Ailor.
$30.00
28 €
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Orchestra
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Jim Ailor
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Jim Ailor.
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He’s My Lord and King
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ResurrectionSong
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SheetMusicPlus
Come Ye That Love the Lord
Brass quartet : 2 trumpets, trombone, tuba
Brass Quartet - Grade 3.5 - Digital Download SKU: DX.145405 Composed by Issac Watts…
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Brass Quartet - Grade 3.5 - Digital Download SKU: DX.145405 Composed by Issac Watts. Arranged by Monty J. Budahl. Traditional. Key of F, Db. Sacred Instrumental Music. Score and Parts. 11 pages. David E. Smith - Digital Sheet Music #145405. Published by David E. Smith - Digital Sheet Music (DX.145405). A brass quartet for two trumpets and two trombones with opt. parts for Fr. Horn and Baritone TC. The pieces begins with canonic entrances and then increases in activity. The first thematic statement is stately in a block harmonic structure. The parts then state the tune with others in an ornamental addition. A modulation takes place and the first tombone/horn states the theme while the others portray soft bell-tone like accompniment. A spirited entrance from low voices to higher in a fugal format coming to a final, majestic Coda marking a strong ending.
$7.00
6.53 €
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Brass quartet : 2 trumpets, trombone, tuba
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Issac Watts
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Come Ye That Love the Lord
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Oot-kwa-tah, Dance of the Seven Sisters
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery.…
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Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
38.03 €
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Concert band
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Brett L
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Oot-kwa-tah, Dance of the Seven Sisters
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Sonata Grendel Publishing
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SheetMusicPlus
Dvoà Âák: Largo from the New World Symphony for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433…
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3494213. Published by jmsgu3 (A0.549433). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic c control. Suitable for recitals, church meditations, or school programs. Dvořák Background Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia). Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.75 €
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2 Bassoons (duet)
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Antonin Dvorak
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dynamic c control
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Dvoà Âák: Largo from the New World Symphony for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
46.67 €
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Orchestra
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.53 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
We Gather Together
Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). A…
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Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #4968147. Published by Sweetwater Brass Press (A0.808696). We Gather Together is one of the best known Thanksgiving hymns. It originated in the Netherlands in 1597 as Wilt Heden Nu Treden, written by Adrianus Valerius to commemorate a victory in the Dutch war of liberation from Spanish oppression. It was first published in Valerius’ 1626 collection of Dutch folks songs, Nederlandtsche Gedenck-Clanck. In 1877, the Austrian composer and conductor, Eduard Kremser, published arrangements for six songs from Valerius’ collection, one of which was Wilt Heden Nu Treden. Seven years later, American musicologist Theodore Baker wrote a modern English version of the hymn. It is Baker’s words and Kremser’s melody that are today sung as We Gather Together. This arrangement consists of six versions of the Kremser tune. The first is a fairly straightforward melody-and-harmony rendition, except that Trumpet 1 begins solo, and the other instruments join the playing group one at a time. Succeeding versions consist of variations, until the final, which, for the four upper instruments, reverts to a simple statement of melody-plus-harmony. Tuba, on the other hand, has a wonderful running bass part. The piece ends with a brief diminuendo and ritardando repetition of the last four measures. The key signature changes twice: C to D and back to C. There are no tricky rhythmic figures. As for high notes: Trumpet 1 plays one quarter-note A above its staff; Trombone has two high-F eighth-notes. This arrangement was completed in 2019, and performance time runs about 2 minutes, 55 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.99
6.52 €
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Eduard Kremser
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We Gather Together
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Sweetwater Brass Press
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SheetMusicPlus
1917: The Halifax Disaster
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.46 €
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Concert band
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Solon: Lawgiver of Athens (for concert band)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.833832 Composed by Michael Compto…
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Concert Band - Level 4 - Digital Download SKU: A0.833832 Composed by Michael Compton. Contemporary. Score and parts. 100 pages. Kreechur Kumfort Publishing #4303995. Published by Kreechur Kumfort Publishing (A0.833832). In the year 594 BC, as the city-state of Athens was spiraling into social and economic ruin, Solon was elected Chief Magistrate. From this position of power earned on the battlefield, Solon was able to institute reforms and a new manner of governance. At a time when a high percentage of the people were steeped in indentured servitude due to crushing debt owed to a small percentage of aristocrats, his reforms were in no way popular, however they paved the way towards modern day democracy. Solon: Lawgiver of Athens depicts Athens during this time as Solon comes to power. You will hear the great city-state of Athens, the senate in turmoil, Solon shouting down the din, speaking calmly and with measured reason, and eventually you will hear a move towards a major tonality of the themes as Solon’s reforms take hold and social and economic stability is once again established. This piece was written to commemorate the opening of the Solon Center for the Arts in 2017 and was first performed by Solon High School Band in Solon, IA.
$35.00
32.67 €
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Concert band
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Michael Compton
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Solon: Lawgiver of Athens
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Kreechur Kumfort Publishing
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SheetMusicPlus
Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit (Downloadable Concertato Choral Score)
Choral SATB
Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Eas…
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Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - Digital Download SKU: MQ.60-6015-E Composed by Normand Gouin. Cathedral Series. Ordination, Pentecost, Confirmation, Ordination/Installation, 21st Century. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-6015-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6015-E). English.This new hymn, with words by Andrew Ciferni and music by Normand Gouin, was chosen as the official hymn of the World Meeting of Families 2015, and it will be used at the liturgies in Philadelphia during Pope Francis' first visit to the United States. This festive concertato features brass and percussion, and includes a special introduction appropriate for a solemn procession. The arrangement may also be pared down to fit available musical resources and liturgical use. It includes a second text, by Anthony Corvaia, that invokes the Holy Spirit and is appropriate for general use and for Pentecost. A special optional verse is provided for use at Confirmation and Ordination.Instrumental parts packet includes: Trumpets I and II C and in B-flat, Trombones I and II, Horn in F (sub for Trombone I), Bass Trombone/Tuba, Timpani, Suspended Cymbal, OrganNotes regarding Congregation Card Pack, 60-6015C: Printed on white card stock and are sold in quantities of 50 packs. Dimensions: 5.5” width; 8.5” length. Notes regarding Downloadable Congregation Part, file_60-6015C-E:Purchaser may reproduce this page for the congregation under these circumstances:-With valid license from OneLicense or LicenSing. -Usage must be reported to either OneLicense or LicenSing. -Copyright notice must be included. -If the purchaser does not have a license from OneLicense or LicenSing, one may be obtained directly from the publisher. Click here to email the MorningStar Music Publishers Copyright Department. -If the purchaser does not wish to purchase a license, then they should purchase the printed congregational cards, product 60-6015C. Notes regarding SATB/Accompaniment Hymn Only:This publication serves as the accompaniment to the hymn Sound the Bell of Holy Freedom. The publication may also be used as a simple SATB version for the choir. If used by the choir, multiple copies need to be purchased. -Reprint permission is not included with the purchase of this publication.-Multiple copies must be purchased for additional instrumentalists, or the choir.-This publication is available in two forms, either as a downloadable publication, or as a printed publication.
$2.65
2.47 €
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Choral SATB
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Normand Gouin
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8
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Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Theme From "the A Team"
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for piccolo trumpet, horns in F and bass-clef lower brass. It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99
37.32 €
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Mike Post and Pete Carpenter
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Theme From "the A Team"
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RBMusic
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SheetMusicPlus
Portals of Catedral de Orihuela.
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
9.33 €
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Dr Anthony Costandius
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Portals of Catedral de Orihuela.
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Anthony Costandius Music
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SheetMusicPlus
Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1314336…
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Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pages. James Siddons Music and Writings #903081. Published by James Siddons Music and Writings (A0.1314336). Description This “Meditation,” in the unusual combination of flute, clarinet, tenor saxophone, and trumpet, uses melodic phrases from Kremser Tune, used to sing We Gather Together, and Dona Nobis Pacem. The latter is a round and gives a texture of flowing counterpoint to the homophonic stateliness of the hymn tune. The trumpet gives a clarion sound to entrances of the hymn tunes but elsewhere is mellowed by the three woodwinds. As is common practice in chamber music, each performer will need to listen to the other instruments to achieve a balanced sound. For this reason, relatively few dynamic markings are in the parts, as the performers will determine these in each performance environment. Note that this is not an arrangement or medley of these two melodies, but a distinct composition built on their melodic phrases (motives). For Christian worship, this short piece is appropriate for services of Christian unity and peace, and, in the United States, for Thanksgiving Day. This composition is also available as a standard woodwind quartet (fl ob cl bsn). The first performance was on November 5, 2023, at Saint Andrew Presbyterian Church, Lynchburg, Virginia.
$11.00
10.27 €
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James Siddons
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Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
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James Siddons Music and Writings
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SheetMusicPlus
Finland National Anthem and US National Anthem for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Villanueva. Holiday,Patriotic,Romantic Period,World. Score and parts. 12 pages. JV MUSIC #3389317. Published by JV MUSIC (A0.722742). Anthems of Finland and The United StatesFinland National Anthem US National Anthem for Brass QuintetArranged by Jari VillanuevaIn honor of the 100 years of independence of Finland and 100 years of friendship between our two great nations.Score 2 Trumpets in BbHorn in FTromboneTubaSubstitute parts for Eb Horn and Baritone T.C .providedMaamme or Vårt land is the title of Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. The Star-Spangled Banner is the national anthem of the United States of America. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large American flag, the Star-Spangled Banner, flying triumphantly above the fort during the American victory. Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country. He is the winner of the 2016 Sheet Music Plus Arranging Contest and 2016 Holiday Arranging Contest.https://youtu.be/FkGeeFGmcHw
$10.00
9.33 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Fredrik Pacius, John Stafford Smith
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Finland National Anthem and US National Anthem for Brass Quintet
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JV MUSIC
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SheetMusicPlus
Game Of Thrones
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.120…
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205694 By Various Artists. By Ramin Djawadi. Arranged by Mattia Mugnai. Film/TV. Score and parts. 23 pages. Matt80 #803873. Published by Matt80 (A0.1205694). The music for the fantasy TV series Game of Thrones is composed by Ramin Djawadi. The music is primarily non-diegetic and instrumental with occasional vocal performances, and is created to support musically the characters and plots of the show. It features various themes, the most prominent being the main title theme that accompanies the series' title sequence. In every season, a soundtrack album was released. The music for the show has won a number of awards, including a Primetime Emmy Award for Outstanding Music Composition for a Series in 2018 and 2019.A series of concerts which featured Game of Thrones music, Game of Thrones Live Concert Experience with composer Ramin Djawadi, took place in 2017–2018. First to be performed in Saint Paul, Minnesota, it then went on to tour across the United States, Canada and Europe. This is followed by a world tour starting May 2018 in Madrid.The music of Game of Thrones has inspired many cover versions; the main title theme is particularly popular. There are also decidedly non-medieval renditions of songs from the series's source novels by indie bands. These adaptations, according to Wired, create attention for the series in media that wouldn't normally cover it, but are also notable for their musical merits independent of the series.This arrangement for string trio consists of a mashup of three of the most characteristic soundtrack themes from the entire saga.The file includes both score and parts.
$18.00
16.8 €
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String Trio: violin, viola, cello
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Various Artists
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Game Of Thrones
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Matt80
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SheetMusicPlus
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